Casting History in Bronze

In a quiet workshop nestled on a farm in Marshville, sculptor Stephen Smith meticulously shapes clay into life. With intense focus, he has spent over four decades perfecting his craft, bringing historical figures, wildlife and even the spirit of movement to life through sculpture. His work is not merely about capturing a likeness — it’s about embodying his subjects’ essence, personality and energy, ensuring each piece tells a deeper story.

John Huneycutt

Born in 1955 in Wilmington, Stephen was surrounded by the rich cultural heritage and natural beauty of the state, which profoundly influenced his artistic sensibilities. From an early age, he was drawn to history, storytelling and the power of visual representation. His educational journey further shaped his craft: he studied architecture, earned a degree in art history from the University of North Carolina at Chapel Hill, pursued adaptive reuse (environmental and interior design), and later completed a Master of Fine Arts in sculpture from UNC Greensboro.

Since turning his passion into a profession in 1982, Stephen has been recognized for his exceptional anatomical accuracy and dynamic compositions. His extensive research into each subject — their body language, personality and historical context — allows him to breathe life into bronze, ensuring that his sculptures transcend form to become narratives in metal.

After spending years in Atlanta, Stephen returned to his home state in 1994, settling on a farm in Marshville where he expanded his artistic focus to include horses and wildlife. His work is collected privately, displayed on university campuses, and commissioned for public installations nationally and internationally.

Mastering an ancient art

Stephen’s creative process is deeply rooted in the ancient technique of lost-wax casting, or cire perdue, a method that has been used for over 6,000 years. This technique involves creating a detailed wax model, encasing it in a heat-resistant material, and then melting the wax away, leaving a perfect cavity to be filled with molten bronze. Once cooled and solidified, the mold is broken away, revealing a finely detailed sculpture. This labor-intensive process, though ancient, allows for unmatched intricacy and realism, perfectly suited to Stephen’s meticulous craftsmanship.

Wright Brothers First Flight Centennial Memorial in Kill Devil Hills

One of Stephen’s most celebrated works is the Wright Brothers First Flight Centennial Memorial in Kill Devil Hills, which features seven life-sized bronze figures alongside a full-scale stainless-steel replica of the 1903 Wright Flyer, weighing 10,000 pounds. Meticulous details, including the bronze-cast motor and camera used to capture the historic flight, invite visitors to step back in time and experience the dawn of aviation.

Stephen has also sculpted figures of Martin Luther King Jr., Benjamin Newton Duke, Benjamin Franklin and Maya Angelou, among others. His ability to capture not just the physical likeness but the very spirit of these figures has made his work a mainstay in universities, national parks, and corporate collections.

Most recently, Monroe-based Union Power Cooperative commissioned Stephen to create a monumental lineman sculpture as a tribute to the dedicated professionals who ensure the delivery of electricity to homes and businesses (see A Tribute to Lineworkers—in Bronze).

A legacy cast in bronze

For Stephen Smith, sculpture is more than an artistic endeavor. It is a celebration of human resilience, history and progress, captured in bronze for generations to come. Each of his sculptures tells a story, inviting viewers to engage with history in a tangible, lasting way.

With every piece, Stephen continues to shape the legacy of North Carolina and beyond, ensuring that the stories of visionaries, warriors and dreamers live on — not just in memory but in timeless bronze.